Why We Fight

[Trigger Warning: This post discusses statutory rape, manipulative relationships, dubious consent and non-consensual sex, and an incredibly unequal male-female power dynamic. If you feel the following discussion of this topic may trigger you, please don’t read this article – my rambling is not worth it. I’d also like to take this time and warn that there may be some cis-normativity in this article – while it is of course true that not every man has a penis, the ones I will be discussing today do, though if I had my way, that would not be true any longer. Lastly, I will be using female terms to describe the demographic pool of victims, even though I would not be at all surprised if there are people out there who were affected by these situations that no longer identify as female. This is for ease of this particular discussion, and I hope all my non-binary readers and friends out there will forgive this instance.]

A little over a week ago, it was revealed that a pillar of the wizard rock community, Alex Carpenter (founding member and frontman for The Remus Lupins) was not just, as I had long suspected, an insecure douchebag, but one that manipulated multiple underage girls into relationships and statutory rape with him, as well as relationships with of-age women that were just as manipulative and even less consenting, to a horrifying degree. Then, it came out a couple days later that Luke Conard, one of the two most popular and visible members of Ministry of Magic, was also incredibly manipulative in his relationships with wrock and youtube celebrities, and while he did not technically break the law in the same way Alex did, he is now yet another example of a male internet celebrity using his fame among much younger females to manipulate multiple people into what can only be termed emotionally abusive relationships. Oh, and he also kept all of the money from the first All Caps album, a joint band between him and Kristina of The Parselmouths. So yeah, class act.

While I pretty much immediately reacted on twitter, I’ve waited to write an “official” post about the matter, because it has taken this long for my feelings about this situation to settle down to a level where I can coherently write about it without every other word being “stab”. Honestly, I’m not even sure if I’ll ever not feel that way, but my friendly therapist named Hannibal suggested that I channel my anger and emotions into writing or something else constructive, instead of just bottling it in. Speaking of which, I will do my best to keep this brief, seeing as he’s invited to have me for dinner in a couple hours.

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And Then I Died vs. And Then I Died

[Thank you for visiting The Wrock Snob and reading this article! I’d love for you to jump right into the reviewy goodness, but first there is some unfortunate business to take care of. It is not in my nature to tell you specifically what or what not to buy and who to support – I tell you what I thought about an album, and if my tastes seem to align with yours, you might want to heed my suggestions. However, I must take this time to personally exhort that you do not monetarily support the bands The Remus Lupins or Ministry of Magic. The full reasons are unsettling and possibly triggering, so please proceed with caution, but if you want the full details click here. Simply put, it has been revealed that certain member/s of both bands did destructive, upsetting, and highly problematic things. While I can see the value of reviewing art no matter what the artist did on a grand society-level scale, I cannot morally allow myself to condone the financial support of these monsters, nonetheless exhorting people to do so. Now it is entirely possible this copypasta’d retroactive warning was placed on a negative review, making this sidebar somewhat moot, but I still feel it necessary to make these matters clear. Again, for full details and rumination click here, otherwise, please enjoy the article.]

[I can’t explain why exactly, but I have lots of feelings about these two songs and how they relate.  The following is all the original writing until you hit another one of these.]

Welcome to another new “feature” on the Wrock Snob that will undoubtedly only last for a single outing!  This is an idea I’ve toyed around with for awhile, where I take two songs, sometimes similar, sometimes not, and I compare and contrast them.  First up, I’m comparing “And Then I Died” by the Moaning Myrtles with… “And Then I Died”… by the Moaning Myrtles…

Huh.

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  • 116,616 skulls fucked